the inaugural iHeartRadio Awards - Best New Artist (Los Angeles, May 2014). the BRIT Awards - International Female Solo Artist (London, February 2014). the 56th Grammy Awards - "Song of The Year" for "Royals" and also "Best Pop Vocal Performance" (Los Angeles, January 2014). Lorde's success continued in 2014, picking up major awards at: Previously, Titanium held this record with three songs. In the same week, she also became the first New Zealand artist to simultaneously have four songs in the top 20 tracks of the New Zealand Top 40. On 14 June 2013, Yelich-O'Connor's second single "Tennis Court" débuted at number 1 on the New Zealand Top 40 singles chart. It was played during the BBC Sport coverage of the 2013 Wimbledon Championships – Women's Singles final. The "Tennis Court EP" was released digitally in the UK on 7 June (due to the timezone difference) and physically on 22 June. The "Tennis Court" single was released in New Zealand on 8 June 2013. In November 2013, her song "Everybody Wants to Rule the World" was included on the soundtrack of "the movie "The Hunger Games: Catching Fire" along with tracks from Coldplay, Sia, The Weeknd, Christina Aguilera, Of Monsters and Men, and Imagine Dragons among others. In a subsequent interview, Lorde stated, "I had a sneaking suspicion that it might do all right". Following the release of "Royals" in the United States in June 2013, 85,000 copies were sold during a single week in July. In August 2013, Lorde became the first woman to top the Billboard Alternative Songs chart in the United States since Tracy Bonham in 1996. On, The Love Club EP débuted in the number 2 position on the album chart. it peaked at number 1 on the Hot 100 and number 1 on both the Alternative charts (making Lorde the first female artist since Tracy Bonham to reach the top) and number 1 on the Rock charts, making her the first female artist to top the charts as a lead singer. "Royals" débuted as a single at number 1 on the New Zealand Top 40 on 15 March 2013 and remained in the top position for three weeks. On May 27 2013, "Royals" was covered on national television on the New Zealand version of The X Factor by all-girl group Gap 5, mentored by Melanie Blatt of the All Saints. Officially released digitally in March 2013 and on CD in May 2013, The Love Club EP features five songs, including the number one hit "Royals". Later, when Yelich-O'Connor was 13, Maclachlan signed her to Universal Music and, at the age of 14, she began working with their songwriters in 2012. She was raised in Devonport, a suburb of Auckland.Īt the age of 12, she was spotted by A&R scout Scott Maclachlan when he saw her singing in a video of a talent show at her school, Belmont Intermediate. Her father, an Irish-New Zealander, is a civil engineer, and her mother, Sonja Yelich, a Croatian-New Zealander, is a prize-winning poet. Her début album, Pure Heroine, was released on September 27, 2013. She released her first EP, The Love Club EP, in March 2013 and her first single, "Royals", in June 2013. I mean DROELOE is a pretty good example of how much things have improved quality-wise too and where we are at right now in terms of amazing production quality alone in future bass tracks and electronic music tracks in general.Ella Marija Lani Yelich-O'Connor (born 7 November 1996), known by her stage name "Lorde" (pronounced (/ˈlɔrd/ (IPA), like "lord"), is a Grammy Award-winning New Zealand singer-songwriter. Just go listen to 'We Rise' by San Holo and try to tell me that EDM songs age at the same pace as other genres of music ) It's still a catchy song but the production is outdated and simpler than a lot of the future bass tracks that have come out since then. Naming a few I'd consider to have some pretty timeless tracks compared to most others: Flume, Skrillex, KOAN Sound, Noisia, Aphex Twin, Space Laces (every track he makes is years ahead of his time, I'd still play out his songs from 6 years ago and they'd still go off and could be released today even), and more but those are names you might know (except space laces but I can't leave him out when talking about timeless production) There are only a certain (small) amount of artists who's production, songwriting, and technical skill outlive the trend changes and advances in production technique - and in my opinion those producers GOATs in terms of their skill. I've found that it really only takes around 2 years for certain styles (and therefore many, many tracks) to sound outdated just from gradual yet defining shifts in production techniques, style choices, trends, and even quality in many cases within genres and subgenres. Tastes, styles, and techniques change very quickly except with a few songs which are relative "classics" or timeless tracks. Diamond Shock 5y AOK In electronic music it does.
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